Thursday, March 31, 2011

A Tale of Two Fifties


On Wednesday, March 30th 2011, every Indian on the University of Houston campus had a smile on their face. A smile that broadened when the eye met that of a fellow Indian. I even had Pakistanis coming up to me and saying "Good game and good luck for the finals". It was that kind of a game. The buildup had been huge; politicians, advertisers and movie stars had drawn all the benefits that they could from it; Dhoni had won the toss, Nehra and Raina had justified their inclusion in the 11 and yes Tendulkar had scored a scratchy 85.

My mind immediately went 8 years and 29 days back to a sunny afternoon in Centurion, when Tendulkar scored 98 against Pakistan in another World Cup game. The media frenzy for that game was similar to this one, if not more. On both occasions it was thought to be "India's batting vs Pakistan's bowling" and on both occasions Tendulkar had gone on to win the Man of the Match award. But the similarity ended there. The Pakistani attack was different, the match was being played in a different stage of the tournament and the way he batted was definitely different.

Centurion was a classic. It seemed like the story of a man with a mission. From when he cut Akram in front of point to get "the Indian flags out" to the flick off Afridi past Akhtar at mid-wicket, the man was middling everything. "I told myself, if I see it I will hit it" he said after the match and surely enough he saw most of "it". The back foot punch off Akram that evoked an "oh..." from Robin Jackman lasting about 3.7 seconds was one of the "moments" of India's campaign in that World Cup. And then of course there is the batting master class in Akhtar's over. He offered 1 chance but Razzaq had walked in a little too far at mid-off and Akram is believed to have asked him "tu jaanta hai kiska catch choda hai?”. Overall it was a masterpiece and like all other works of art you could tell the master form the sweep of his brush.

Mohali in 2011 was different. Tendulkar started well. His extra-cover drive off Razzaq was picturesque and after a couple of his trademark flicks through mid-wicket, he square drove Wahab through point and one couldn’t help thinking about the 100th 100. But then Ajmal got one to spin a little and pushed the next one a little flatter and a little straighter. Tendulkar survived both the close calls but his confidence seemed to be dented for the rest of the innings. He went from being this awesome lead guitarist in a rock band to an unsure novice looking down at his pick every once in a while to make sure he was strumming right. He gave 4 chances, 3 relatively simple ones and for the most part looked out of sorts. The strokes of the brush were not precise and the colors just weren’t bright enough. However he kept on painting. And for the Indian cause that was critical because that in the end was the difference between a score of 220-230 and 260.

Even the 50 was not really celebrated and towards the end some of the shots were almost as if he was embarrassed to be still out there. But before Afridi held on to one at cover Tendulkar had collected 85, strung 3 partnerships of 45+ runs and had played a very important hand in a crucial game.

In the end thanks to the Raina and the bowlers the game was won, India moved ahead in the tournament and I was left with 2 questions in my mind. Aren’t these 2 innings so similar and yet so different? Isn’t this a good time to write my first post?

Cheers.